Archive for February, 2010

Anatomy Of A Well-Cut Suit

Jeanine Poggi

Wearing a suit is one thing, but wearing one that fits perfectly is something else. Look at these details to make sure you buy the right one.

A well-made suit is not just a fashion statement. Some argue it's the sort of thing that can help determine how far up the corporate ladder you go--and whether you manage to stay on it during a period of layoffs.
Even before the financial markets went south, businessmen were trying to dress the part. Men's tailored categories, which include suits, suit separates and sport coats, grew 7% overall in 2007, according to the NPD Group, a market research firm. In the current climate, however, such items are essential--and you should pay serious attention to detail when shopping for them.

In Depth: Anatomy Of A Well-Cut Suit
"Suits should be seen as investment pieces," says Michael Fisher, menswear editor at Stylesight, a trend-forecasting firm. "Just as men would do research before buying a new car, they should pay attention to the details of a suit, because it will be hanging in their closet for a while."

The most important quality of a good suit is a jacket that has a full canvas layer between the fabric and lining, says Michael Ostrove, senior vice president at men's retailer Paul Stuart. Cheaper suits have a lining that is fused or glued to the fabric. A more affordable option is half-canvas, where the designer only uses a layer in the more visible top portion of the jacket, but full canvas is best.

"Full canvas conforms better to the human body after multiple wears," Ostrove says." When the jacket is glued or fused it doesn't fit or wear as well." To test if the jacket is full-canvas, pinch the layers of fabric between the button holes. If you feel three layers it is full canvas, two layers is half canvas and one layer means the lining is fused or glued.

Also look under the collar of the jacket for a felt lining. "This allows the jacket to double as outerwear when it is cold and rainy," Fisher says. "It also helps the suit hold its shape around the neck."

Next, look at the tags for the thread count. The optimal thread count is a super 100 to 120, Ostrove advises. "The higher the number, the finer the yarn, which makes it more durable, soft and silky." But don't be tempted to go too high. Once you get into the 200s, the suit may look beautiful, but it becomes more fragile.

If you are buying a suit off the rack, avoid working buttons on the cuff of the jacket. "While they are a trademark of a made-to-wear suit, they make the jacket more costly and difficult to tailor," Fisher says. Also, the button should not be plastic; they crack easily in bad weather or from numerous trips to the dry cleaner. Opt for tortoise shell or enamel buttons instead.

The commandments of style

When people in men's fashion talk about change, they usually talk about little things. Fits, fabrics, finishes — you know, little things that, depending on whether you are familiar with the oeuvre of Martin Margiela, may or may not matter to you all that much. But the kind of change we're talking about here, it's something different. Because in case you haven't noticed, the world as we know it is ending — politically, culturally, and, oh yes, economically — and a new one is aborting. One that demands the kind of ballsy style that was familiar to our grandfathers but lost for a generation; one that calls for renewed efforts to make a statement and get the details just right; one that requires that we dress every day as if we were going to get hired or fired or handpicked from obscurity to become a vice-presidential candidate, because, hell, that's just the kind of world we're living in now.

Fashion has always been a state of mind — an attitude that expresses itself in the details of how a man gets dressed — and with the ground shifting daily, it's time for a change of mind. It's time to embrace a new ideal, a new approach to dressing, and a few guidelines (nine of 'em) that will deliver us from the wilderness, our senses of self and style stronger than ever. Let's get started.

The suit's got to fit
You'd think that a lot of men would know this, but judging by how a lot of American men choose to wear their suits, you'd be wrong. Quick test: The jacket should sit close enough on the body that you can just barely slide your hand inside beneath the breast pocket. If you can slide in a fist, it's at least a size too big.

Respect the tie
Tuck in the shirt. Button the jacket. Get it right, all the time, every day, and look in the mirror before you leave the house.
Make a statement with something. (Perhaps your socks.)
Something on your person should always make a statement, and that statement should preferably be "Go to hell." Say it with socks, with a tie, or with a great pair of pants, and say it often.

Consider showing a little cuff
Mad Men killed the pocket square. Focus instead on showing just the right amount of shirt cuff (a half to one inch). This and a good watch or cuff links are all the flash you need.

Navy blue, not black
We know black is easy, but navy blue is easier, more versatile, and looks better against every skin type. Plus, it doesn't look brown under fluorescent lights. (Black does.)

Patterns: Mix. Don't match
It's only when you contrast the scale, texture, or color of different patterns that such combinations work.

If you wear a tuxedo, wear a tuxedo.
That means bow tie, cummerbund, and peak lapel. Everything else is negotiable, even the shoes.

A great jacket lets you get away with anything
It elevates everything else you're wearing and opens all kinds of doors. Which is why you should always have one with you?

How long should your trousers be
The length of your trousers is everything. A half inch too long and you're instantly disreputable; a half inch too short and you're laughable. A one-inch kink in the front crease and you, my friend, are golden.

Selecting Italian Suits

For several years, Italian proficient tailors capable of the art, creating great Italian men’s suit and have shaped most stylish suits for the fashion mania. The extraordinary skill took self-importance in creating Italian Suits with perfect cuts and in depth concentration to linings, pockets, collars, and sleeves.

Approach and eminence are Italian Fashion’s strong resources. The style interprets the superior ethnicity of garments whereas the quality of originates from the developed process, which combines state-of-the art technologies with exquisite handicraft.
An Italian suit, handmade or else, is an enigmatic endeavor. Even in cases where a computer teams up with a tailor to create a suit, there is that supplementary finesse that only comes from knowledge achieved through decades of tradition. Most of the Italian men's tailoring houses are family run, and that occasionally makes a lot of difference. Each Italian suit maker has its own secrets to quality which it guards jealously.

Italian suit well known of its feature, fashion and intelligence of elegance. The finest men’s attire recommended highly for men. Italian types of suits are recognized for its finest ness and comfortable craft, proven normal to get your money’s worth, and basically has stood the test of time. Men would be recognized as “the man with an exceptional wardrobe”.

An Italian tailor seeks to hide all the wearer's flaws, and to make him look slender, pleasing to the eye, tall, even if god did not exactly make him that way. The armholes are higher, the silhouette is sleeker, and the article of clothing cautiously balanced to get better the wearer's manifestation. From the placement of the waist to the width of the lapels and the cut of the collar, every aspect of the suit is tailored to flatter and conceal at the same time.

Different styles of Men’s' Italian suits
Italian suits are distinguished as most trendy in the midst of all types of suit. The Italian suits have various types of designs and cuts. The standard two-piece suit comprise of jacket and trousers. For formal occasions, three piece suit is worn which consists of trousers, jacket, tie, and a waistcoat. Contemporary is an expression that includes a diversity of lately designed suits that do not fit into the previous categories.

All suit makers, irrespective of the part of the world they are from, need to respect quality. But for an Italian suit maker, this sartorial respect borders on reverence.

Double Breasted Suit is mostly British suits, known for its traditional cut and style. American Suits are considered more informal. The number of buttons on single breasted most commonly two or three.

European suits are moderately narrowed sides, minimal shoulder padding, with two vents. American suits than the preceding styles are more on 2 vents, loose or standard fitting with also 2, 3 or 4 buttons.

Professional tailors and designers extensively enhanced their suit make. The edges and cuts were more detailed; linings, pockets, collar and sleeves are proportionally tailored with a touch of excellence.

Tailoring with highly advance machinery, practices continuous education and training to benefit their knowledge for their fashion skills and are advance of the latest fashion trend. This make are known for its professional make, no other label other than "Made in Italy". Italian suits are the finest men's suit in the market that does not have a comparison.

Italian Suits are also commonly used on weddings or any black tie event. Obviously, there would be no other perfectly made suits other than Italian made. It has a traditionally sophisticated look that is rather impressive in all angles on all ages.

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Hickey Freeman Men’s Suits

If you're looking for flash, look elsewhere. But for great straight-ahead business attire, a Hickey-Freeman Collection suit is a smart investment. Full-canvas construction, English horn buttons and nickel-plated zippers are just a few of the details that make a statement without shouting. Jackets sport an elegant if traditional American design, with slightly sloping shoulders, moderate button stance and subtly suppressed waistline. Two-piece under-collar construction gives the collar a balanced fit, while an interlining of linen is "married" to woven wool flannel for resilience. It's a smart ensemble that'll never look dated, and won't wear out anytime soon.

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Giorgio Armani Men’s Collection spring summer 2010

Giorgio Armani Men's Collection Milan Fashion Week spring summer 2010 full show Part1

Giorgio Armani Men's Collection Milan Fashion Week spring summer 2010 full show Part2

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Lanvin Travels With Flamboyance

by Godfrey Deeny

Though it’s not the most important thing one can say about a high-end fashion label, it’s often the most revealing, even if two-sided, compliment. If one had to estimate which men’s fashion collection is going to be the most copied this coming Fall 2010, it’s a good bet it will be Lanvin, which unfurled a beautiful collection of quirky contemporary fashion Sunday, Jan. 24, in Paris.

Lanvin’s poetic clothing, from frayed seamed jackets to off-the-shoulder cool wool dusters, will appear in more toned-down versions all over the planet this fall, though no replica will ever rival the originals on view in the Palais de Tokyo contemporary art museum.

A sense of at-ease global traveler wafted through this collection, whether the chiffon pants with double side hems cut with a certain swagger, or the druids coats - chocolate hued front and flat Prussian gray back.

Lanvin certainly honed in on the biggest Paris phenomena this season, contrasting fabrics and colors in the same object. Take a pretty remarkable trench-coat, where the torso was made of craftily aged suede, while the arms came in a woven wool, with a finish almost like jute. There were even metal zips at the arm pits so you take the sleeves right off.

“We wanted to make clothes for fashion lovers, not fashion victims,” explained Lanvin’s creative director Alber Elbaz backstage after the show.

The house also boasted by far the best choice of footwear seen on the continent – like unique looking boots with bowling shoe feet and felt wool uppers, or Captain Kirk-goes-hiking boots, shiny leather below the ankle, technical nylon above.

It’s also been a European season almost completely devoid of sneakers, as if designers had decided that rubber soled footwear was the wrong way to confront the global crisis. They were also absent at Lanvin.

But what set this show apart was the sense of understated flamboyance, clothes in dark hues that whispered sophistication, which by wearing them confirmed that you were part of a exclusive aesthetic club.

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by Booth Moore, Los Angeles Times

NEW YORK — The clothes that designers showed for fall during New York Fashion Week, which ended Thursday, invoked the classics, but with interesting, modern ideas mixed in. Among the trends we think we'll see women wearing come September are these five.
MENSWEAR MASH-UP
Alexander Wang is the young New York designer everyone is watching right now, and his collection of sexy, deconstructed pinstripe suits set the tone for a season of creative menswear dressing for women. Among Wang's most memorable offerings: pinstripe pants with the waistband lopped off to expose a bare navel, and a morning jacket with the front removed and a bandeau left in its place.
For other designers, the trend was more about mixing hard and soft, tailored and ruffled in one outfit. Ralph Lauren paired a charcoal wool men's vest and "spat pants" that buttoned at the ankles with a romantic purple plaid blouse with puffed sleeves. Diane von Furstenberg put a rosette-embroidered bolero over a pinstripe suit with cropped, flared pants.
Designers put an emphasis on classic tailoring. In a logical extension of the boyfriend blazer and boyfriend sweater craze, Donna Karan described the oversized, man-styled coats in her DKNY collection as "boyfriend coats."
And it wasn't a fussy gown but a tuxedo that was the season's most viable evening option. The best? Phillip Lim's gold lame version and Vera Wang's charcoal wool jersey tuxedo jumpsuit.
BLACKOUT
Black is the new black. (We had to say it.) In a season when retailers and shoppers alike are pinching their pennies, there's a premium on clothes with added value. And so designers knew they couldn't go wrong with the classic, goes-with-everything color. The resurgence of black also reflects an attempt to cut through the clutter of fast, celebrity-fueled fashion in favor of a less complicated way of dressing.
For some designers, this meant showing black on black. At Mary-Kate and Ashley Olsen's line the Row, slouchy black tie-front silk trousers were paired with a black silk blouse buttoned all the way to the top, and a black leather shell was worn over a long-sleeved, black chiffon shirt, with black full-legged pants. Ralph Lauren layered a short, black tulle Deco beaded dress over a black cashmere turtleneck for a more understated evening look.
Donna Karan and Vera Wang presented entire collections that were almost all black, emphasizing texture and drape to bring out the richness. When it came to timelessness, you couldn't get much better than Derek Lam's plunge-front, long-sleeve silk jersey gown.
CAPED CRUSADERS
We started to see them on the streets this winter, but come fall you will be able to get your pick from nearly every New York designer. The cape came in a dozen permutations, from preppy sport to Russian czarina luxe.
Alexander Wang's camel-colored, ankle-sweeping cape had a military feel, while Zac Posen's camel-colored cape was shorter and sweeter, with an oversized collar.
Neither wind nor snow would ruffle Marc Jacobs' cape, in thick shearling with a bushy fur collar, which looked like it would be at home on a Bronte on the English moors, while Peter Som's cape, in deep blue broadtail with a fur hem, seemed suited for a snow princess.
Phillip Lim had capes and ponchos aplenty. His buff-colored blanket-checked cape was as suited to the hoof and hound set as it was to denizens of hip downtowns. Lim didn't forget the women who live in climates that rarely if ever get wind and snow. For them, he has a white Oxford cloth button-down cape shirt.
ART CLASS
Painting and collage are an endless well of inspiration for designers.
Proenza Schouler's collection conjured street art, particularly the splattery, graffiti-print jeans, the result of a new collaboration between designers Jack McCollough and Lazaro Hernandez and J Brand jeans. Ralph Rucci worked with Kyoto gold leaf master Hiroto Rashusko on textiles, while the knits and color patch knit dresses at DKNY referenced the graphic style of the Bauhaus.
When it comes to collage, Rodarte designers Kate and Laura Mulleavy have perfected the technique, presenting garments made from mixed materials for several seasons now. This time, they combined floral prints, tulle, lace, beads and pearls to make romantic rag dresses. In the Ohne Titel collection, Flora Gill and Alexa Adams' collage dresses combined black leather, crystals and mesh for a look that was more utilitarian but no less artistic.
TACTILE SENSATION
"Texture mixes, crushed cashmere, clouds of mohair." That was how Michael Kors summed up the tactile sensation of fall dressing. At his show, camel-colored cashmere coats and jackets had a rumpled, lived-in look reflecting a new kind of relaxed glamour.
Comfort dressing doesn't have to mean sweatpants (though there were some of those on the runways - in cashmere, of course). It can mean Kors' cowl-neck mohair sweater dress, Phillip Lim's merino wool poncho, Marc Jacobs' oversized fisherman's cable knit sweater, Rodarte's looped knit skirt or Oscar de la Renta's fuzzy-wuzzy shaggy white tunic.
It can also mean something entirely more dressed up, such as Jason Wu's pink, embroidered gauze ribbon dress, which resembled spun sugar, or Tory Burch's lavender feather skirt.

Alexander McQueen Line to Continue

The Gucci Group announced on Thursday that it would continue to produce fashion collections and accessories under the Alexander McQueen label after the suicide of the avant-garde designer last week.

At its annual meeting Thursday, PPR paid tribute to the British fashion designer Alexander McQueen, who died last week.

Robert Polet, the chief executive, speaking at an annual meeting of Gucci’s parent company, PPR, said that the company would continue to finance the brand. He also said in a statement released soon afterward that a McQueen collection would be shown during Paris Fashion Week in March.

Mr. McQueen was widely reported to have completed at least part of a fall 2010 collection before his death, leading to speculation as to whether it would be shown posthumously in tribute. The designer, known for his thought-provoking and sometimes shocking collections, was found dead in his London home on Feb. 11 at age 40. An officer of the Westminster Coroner’s Court in London said during proceedings this week that the cause of death was asphyxia and hanging.

The Gucci Group’s announcement did not make clear what the company’s strategy for future designs would be, but a spokeswoman said that Mr. Polet was meeting with Mr. McQueen’s staff to formulate a plan. The fall collection will be shown to small groups of editors on March 9 and 10, but not on a runway, as are most Fashion Week collections.

Retailers that carry Mr. McQueen’s signature collection, as well as fragrances and a lower-price line called McQ, had been anxious about the future of the brand because many fashion labels have stumbled after the loss of their creators. Although Gucci does not break out sales numbers for its smaller brands, the McQueen business, according to a report in Women’s Wear Daily, was approaching annual sales of $100 million.

“I believe strongly in the Alexander McQueen brand and its future,” Mr. Polet said in the statement. “There is an outstanding team at Alexander McQueen, a team that has enormous talent and energy and a passion that Lee was extremely proud of, and so am I.” Lee was Mr. McQueen’s first name.

So much of the label’s success has been wrapped up in Mr. McQueen’s personality and singular vision, however, some analysts have questioned its viability beyond licensed products like sunglasses or fragrance.

“People can try to imitate Alexander McQueen, but what is it going to be?” asked Jeffry M. Aronsson, who runs a consulting and investment group called the Aronsson Group and who was formerly the chief executive of Donna Karan and Oscar de la Renta. “Brash behavior? You can make all of the loud statements he used to make, but it won’t be him.”

Mr. Aronsson suggested that it would be difficult for Gucci to carry on a designer collection under the McQueen label without the credibility of an actual designer, but the trend more often favors carrying on such labels.
Gucci said it wants to continue to expand the brand, which, since it was acquired, has opened stores in New York, Los Angeles and London and introduced collaborative products with Puma, Samsonite and Target, among others.

PPR reported Thursday that its 2009 net income rose 6.9 percent, to 984.6 million euros ($1.3 billion), despite a 4 percent decline in revenue, to 16.52 billion euros. The bottom line was bolstered by the initial public offering of CFAO, the company’s African automobile and pharmaceutical distribution business.

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Alexander McQueen: A Fashion Legend

Adam Gabbatt, guardian.co.uk,

A look back at the career of one of Britain's most successful designers

Lee McQueen was born in the East End of London on 17 March 1969, the son of a taxi driver and the youngest of six children.

He left school at 16 to serve an apprenticeship at the Savile Row tailors Anderson and Shephard, eventually making suits for Prince Charles.

McQueen later worked for Gieves & Hawkes and the theatre costumiers Angels, before being employed, aged 20, by Koji Tatsuno, a Japanese designer with links to London.

A year later McQueen was in Italy, working as a design assistant to Romeo Gigli, a Faenza-born designer renowned for his use of luxury fabrics.

By 1994 he was back in London, where he completed a masters degree in fashion design at Central St Martins College of Art and Design. His degree collection was bought in its entirety by the fashion icon Isabella Blow, a move that created a lasting friendship only broken when Blow killed herself in 2007.

After graduating McQueen set up his own label, based in the East End, where he launched his "bumster" trousers – extremely low slung trousers revealing the wearer's buttocks – and increased the fame of his label through numerous newspaper headlines.

He was appointed head designer at the French label Givenchy in October 1996, working there until leaving in March 2001, reportedly claiming the contract was "constraining his creativity".

In December 2000, Gucci Group acquired 51% of his Alexander McQueen label, where McQueen remained employed as creative director until his death.

He saw the label flourish throughout the 2000s, releasing women's and men's ready-to-wear collections as well as accessories, eyewear and two fragrances.

By 2007 there were Alexander McQueen boutiques in New York, London, Los Angeles, Milan and Las Vegas, although the year was a difficult one personally, with the death of Blow in May 2007.

Said to be devastated by her death, McQueen dedicated his 2008 spring and summer show at Paris fashion week to the Tatler fashion director.

In July 2008 the Alexander McQueen internet store launched, allowing fans to purchase directly from McQueen's website. Rihanna and Lady GaGa are just two of the many celebrities frequently seen wearing Alexander McQueen, with GaGa reportedly incorporating his work into her music videos.

One of McQueen's lifelong passions was scuba diving, and in a 2009 interview he described it as a source of inspiration. His spring 2010 collection, Plato's Atlantis, appeared to draw heavily on an underwater theme.

The designer's mother, Joyce, died on 2 February this year.

McQueen was named British designer of the year in 1996, 1997, 2001, and 2003, and international designer of the year by the Council of Fashion Designers of America in 2003. He won the Fashion Directors Award in 2007 for his McQ denim-based brand, and was GQ's menswear designer of the year in 2007.

He was awarded the CBE in 2003.

LUXURY MENS ALEXANDER MCQUEEN PINSTRIPE SUIT 38R W32 L305
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NEW AUTHENTIC ALEXANDER MCQUEEN BLACK LABEL SUIT 56 46
NEW AUTHENTIC ALEXANDER MCQUEEN BLACK LABEL SUIT 56 46 $655.00
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2950 Brand New Alexander Mcqueen classic micro checker wool silk suit size 46
2950 Brand New Alexander Mcqueen classic micro checker wool silk suit size 46 $735.00
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