Dolce & Gabbana - Spring / Summer 2011 Menswear Fashion Show

Dolce & Gabbana 2011 Menswear Spring/Summer at Milano Fashion Week.
A fantastic show with Annie Lennox performing over the piano. This is what true high fashion is about - the exquisite fusion of art and style which creates a unique "chic".

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By Godfrey Deeny

Think of it as the rebirth of neo-realist style: last week at the Milan autumn/winter 2011 men’s wear shows, Italian designers seemed to have decided, almost as an industry, that their future lies in creating practical clothes for successful global travellers. The result was a parade of what may have been the most utilitarian collections since the turn of the millennium.

Tomas Maier, creative director of Bottega Veneta, summed up the mood when he explained he was thinking of “a man who has to have clothes that look right and work functionally as soon as he walks off a plane anywhere.” Hence his jerseys with deliberately misplaced stitching or slim-line suits finished like expressionist paintings, all meant to create a polished yet quirky effect.

And where he led, many other designers followed, though the travellers they had in mind ranged widely over datelines.
Giorgio Armani, for example, entitled his signature line “Remix in Gray” and saturated the show in that go-anywhere of hues, including his nattiest look: a pale gray chalk stripe semi-double-breasted combo (“semi” because all the buttons were hidden). For Emporio Armani, however, he opted to go east, putting model Paolo Roldan, of Philippine descent, in a beige swing coat as a reminder of the country whose avid consumers have been pulling

Italian fashion out of the recession: China – also the inspiration for the Ermenegildo Zegna show.

Indeed, Zegna went so far as to use James Lima, visual consultant for the film Avatar, to create a Chinese backdrop out of which the models emerged sporting silk dress shirts and tuxedos composed of prints taken from ancient Chinese murals.

“China is not just a huge new market, it’s the central project of our generation in men’s fashion,” said Gildo Zegna, whose family business ended 2010 with 70 stores in China, and plans to open 10 more each year for the foreseeable future.

Not that it was all overt Asian influence; technology was key to Z Zegna, with designer Alessandro Sartori using a technique called “needle punch knit” (material bonded with micro stitching that doesn’t perforate the exterior) in striking leather/cashmere jackets held together with Velcro.

Meanwhile, at Jil Sander, designer Raf Simons looked north to Britain, with lean Scottish crofter woollen suits jazzed up in buttery salmons, metallic oranges and bright lichen colours; ditto Prada, where Miuccia Prada’s most memorable innovation involved Argyle diamond-printed lurex knee socks. It was an unlikely look for an airplane-to-meeting adventure, but more globally accessible were Prada’s smart new trousers, tapered at the ankle and dropped at the crotch; not to mention Burberry’s sculpted coats with arms and torso panelled in curly rabbit; and sensational Aran sweater finished in strips of ecru mink.

Yet fur, in the form of mongolian sheepskin, also trimmed many coats at Alexander McQueen, where designer Sarah Burton was working on an imperial sportswear concept with rockin’ versions of hussar jackets and bright red guards coats worn over light felt leggings with military stripes. As for Gucci, creative director Frida Giannini’s collection was based on Scottish rocker Rod Stewart. Thus, though the runway was devoid of tartan, Stewart’s rascal look was apparent in the models’ mop top hair, flared pants and nipped-in, wide lapel jackets, not to mention a putty gray trench coat and alligator blazer.

Coincidentally, Jimmy Choo also seemed to be thinking along the same UK-rocker lines in its first men’s shoe collection – witness a pair of slippers entitled Porno Paisley – as was Versace, where new designer Martyn Bal took the brand back to the era of the Clash with checkboard redingotes, leather top coats with felt lapels, and posh punk sweaters.

By contrast, British designers Michael Herz and Graeme Fidler, in their collection for Bally, chose to return to the brand’s functional Swiss roots via lace-up Birbur mountain boots and outerwear in bonded deer skin. And Tod’s popped over to the US, presenting its hyper-practical classic modern footwear, including an ergonomic take on the country boot.

Also in America was Dolce & Gabbana, with pock-marked denim in their main line, and “social network chic” – preppy combos of striped sneakers, check pants, and rowing colours – in D&G, all paired with mega-bright Americana images, such as Mickey Mouse or an “Enjoy Coca Cola” sign emblazoned on a pink wool felt jacket.

“Men nowadays see so much stuff on the web, and if a designer doesn’t reflect that in their collections, they are not being contemporary,” observed Stefano Gabbana – a fitting epigraph for the week.

by Michael A. Lubarsky

You hear the names, see the ads and perhaps even own a few pieces of their lines, but do you really know how Kenneth Cole got his start or the role Ralph Lauren played in the fashion void of the 1970s? Perhaps you think Hugo Boss is just a line of fragrances in the duty free shop at Heathrow or that Burberry is just the name of the bag Paris Hilton totes her dog in.

To get you up to speed on today’s most popular labels, here is a crash course on some of the fashion world’s best menswear designers.

Ralph Lauren
It’s Lor-en, not La-ren, and in many fashion circles you reveal your ignorance by mispronouncing his name. As a culture we owe much to Ralph Lauren for defining American style. We also have him to blame for the wide-tie craze in the early 1970s, which is now beginning to resurface. But he can be forgiven for this because he continually reinvents classic American fashion within his empire.

When his preppy-inspired suits became too commonplace in the late 1980s he brought out the Purple Label by Ralph Lauren for the 1990s, which fused the best of Savile Row with American sensibility. When the Purple Label became too prolific the Black Label was born, adding a dash of mystery and jet-set cocktail style with supple black leathers and evening wear. If you’re not sure where you fit in with big-name designers, you can’t go wrong with Ralph. His line is so exhaustive and full of colors for various skin tones and body types that any man can walk into one of his stores and walk out with a new wardrobe from head to toe.

Kenneth Cole
You know the name, but do you know he learned the craft of shoemaking with his own hands in Europe before coming home to change the shoe market? Today, Kenneth Cole is still about the shoes, but his leather jackets and accessories -- such as briefcases and watches -- are unbeatable for value, longevity and pure style. If you travel often for work or play, this is the line for you; a Kenneth Cole ensemble looks just as good in Milan as it does in L.A. or Sao Paolo. The cut of the clothes are for the fit and active man on the go, so be sure to visit one of his stores to try on everything.

Giorgio Armani
Forget about the price tags; Armani style is about cut, drape and fabric. The clothing moves with your body and not against it -- as the garments of so many of his imitators often do. He is so well-known today that the name has become code for "money." But the truth is that Armani would prefer you just wore his clothes in your everyday down-to-earth life, which is why he uses muted tones of blue, gray and black in each collection. The clothes are crafted with luxurious Italian simplicity, and once you learn the touch and feel of Armani you can see it coming a mile away.

Dolce & Gabbana
Domenico Dolce and Stefano Gabbana have transformed casual elegance into pure sexuality. They infuse their clothes with vitality and continental cool. They offer those distressed jeans you’ll need for that weekend getaway to a new city.

D&G denotes a carefree urban lifestyle. Unlike Armani who champions simplicity, D&G is all about being seen and recognized. You wear the clothes as a statement of style-consciousness. But this line is not for everyone; these edgy clothes belong on those who have a bit of edge themselves.

Hugo Boss
Hugo Boss began making raincoats and coveralls for the German workforce in 1923, but didn’t make its first foray into men’s suits until 1953. Since then the line has grown and become known for well-proportioned shoulder drapes in black, dark grays and dark blues.

It is often suggested that a dark blue suit will get any man through any occasion, but sometimes only a black three-button suit will do. This is where Hugo Boss becomes indispensable to your wardrobe. A blue suit might serve you well through a string of summer weddings, but a strong black suit emits power, elegance and, when worn well with a smile, it also conveys confidence. Hugo Boss also has a line of modern sport clothes for tennis, golf and other continental pursuits, but the suit is the most important here. If you need only one suit in your closet that can be paired with white or deep blue shirts and a small collection of subtle ties, your only option is Boss.

Burberry
Founded in 1856, Thomas Burberry found himself providing clothing for British officers in the First World War after inventing and obtaining a patent for gabardine (a water-resistant fabric). Today, the line is famous and recognizable for its signature plaid of brown, red and dark cream hues. Revamped by Christopher Bailey, the Burberry line contains bespoke suits and sophisticated sport clothes.

The Burberry Golf line is perhaps the best thing to happen to golf attire in over a century. If you have a big outing planned and need to impress, find a pair of Burberry trousers in the classic plaid and pair it with a black or brown golf shirt. Then again, you could just spring for a whole new set of clubs in a Burberry bag with a plaid umbrella and a plethora of accoutrements. To wear Burberry is to revisit classic men’s clothes with updated fabrics and cuts. It’s not quite preppy, but it’s not as modernly brash as D&G either. In short: Burberry is timeless without being stuffy.
WHO ARE YOU WEARING?
Each designer described designs for a particular body type, and the fabrics used also play an import role in how you will wear, move and live in the clothing. Your best bet is to take the information here and head to the nearest fitting room to decide which should become your staple label.

Remember: These designers are important not because their names have cache on the cocktail circuit, but because they actively think about their clothing and improve upon their lines each year. These are the men you wear because they think about what clothes mean to you and your everyday life.

By ADAM TSCHORN, Los Angeles Times

Designers Domenico Dolce and Stefano Gabbana were the toast of the town during last month's men's fashion week in Milan. It wasn't just because of their 20th anniversary menswear show, which included Morgan Freeman in the audience and Annie Lennox at the piano - it was the star-studded red carpet gala that followed later that evening and a three-day public exhibit at Palazzo Marino (Milan's city hall) that featured rows of gleaming Apple iPads, flickering TV sets and the tools of the tailoring trade that once belonged in the atelier of Dolce's father.

Three days later, the Gabbana half of the design duo shared some of his thoughts on what's changed since they sent their first menswear collection down the runway in January 1990, five years after launching as a women's line. Sitting in the company's Via San Damiano headquarters in Milan, on a red velvet couch the size of an automobile, surrounded by a sea of leopard-print wallpaper and curtains and flanked by autographed photos of Nicole Kidman and framed Madonna album covers, Gabbana spoke of slim white shirts, David Beckham and Twitter.

Q: Do you take any time off between working on the men's collections and the women's collections?
A: Tomorrow we go to Moscow for a party celebrating the D&G store opening. After we come back from Moscow, I'll take about three days off, then it's right into the women's. I prefer it that way because of the adrenaline. We will work until the end of July and then take the month of August off.

Q: When it comes to inspiration and design, are the men's and women's collections conceived of together?
A: The collections are completely different, but sometimes the moods will be similar. And since the men's show is at the end of June, we have all of July, August and September to further develop and change the idea, to try different things (for the women's collection).

Q: How did the men's side of the Dolce & Gabbana label come about in the first place?
A: We decided to make men's because we had a hard time finding clothes we could wear. At the time we wore Japanese designers like Comme des Garcons and Yohji Yamamoto, but I couldn't find white shirts that were just a little bit slim, and unconstructed jackets without shoulder (pads), so we started to make them ourselves. And when our friends started asking about the clothes and where we got them, we decided to start doing a men's collection.

Q: What has changed the most since that first menswear collection hit the runway in January 1990?
A: It has totally changed - the roots are the same and the taste is the same, but that was 20 years ago.
Men used to have these Superman bodies when we started - like bodybuilders. Proportions have changed, and men's bodies are sporty but not built like they were before. People are healthier and more body conscious. Even the black suit has changed because it's more slim now - but at least the tank top hasn't changed!

Q: Dolce & Gabbana has always been able to leverage celebrity. Over the years, who has had the biggest effect on your menswear business?
A: Things really started to change in men's when we started to work occasionally with David Beckham. He was the channel we needed to speak to men. Here was a soccer player who is straight, with a wife and children, and men were saying: "If he wore it, I can wear it too." Before that it felt like men's fashion was just for gay men or strange people - men were afraid to wear something special.

Q: How did Annie Lennox become involved in your 20th anniversary menswear show?
A: Making a fashion show is difficult, because you aren't just presenting a new collection, you're trying to make an emotional connection. The customer needs that. We were reminded of that about a year ago. So when we started working on this collection, we wanted something that would be quiet, almost relaxing, but powerful at the same time. And that made us think of Annie Lennox. We didn't think she would do it, but we asked her and she said yes.

Q: What happened a year ago that made you rethink how you connect with the customer?
A: This was about the women's, not the men's, but we received an anonymous letter from a customer that said: '"Where are Dolce and Gabbana, and why don't you make the real Dolce & Gabbana (label) anymore?" That was kind of a shock because we were so focused on always looking for the new, we left the rest behind. So this was a real moment for us to stop and look back at who we are and to focus more on the customer and not the trend. Right now we don't care about trends.

Q: You were some of the earlier designers to embrace the blog culture and social networking. Why?
A: Two years ago, we were the first to invite bloggers to sit in the front row at our shows. We understand what people want - it's another point of view and it's democratic information. Now we also post short videos to YouTube right before we show a collection, because that is our chance to speak directly to the consumer. It is our point of view, just like the newspaper or magazine is the point of view of the journalist. There is room for all of it.

Q: And now you use Twitter, right?
A: Yes, sometimes I'll use Twitter to ask whether people prefer black or white, corset or no corset. Two months ago, I took a picture of a flower and some said: "Why don't you use that on a fabric?"

Q: Do people know it's actually you?
A: Yes, but sometimes they'll ask: "Is it really you?" We have a separate account for Dolce & Gabbana PR, @stefanogabbana is my own, and I don't just talk about work, I talk about my dog, my dinner, my friends, the sunset. I love to work between technology and tradition. If you find the balance, it's interesting. You don't want to lose the tradition, but you don't want to ignore the new.
Later, Dolce, co-founder and partner in the Dolce & Gabbana brand, responded through his publicist about the importance of including items from his father's atelier in the 20th anniversary exhibit in Milan.
Domenico Dolce (via e-mail): That's my father's certificate from the Palermo tailor school, which my father attended and graduated from in the early 1930s. The Milan exhibit also featured the mirror of my father's atelier. I am very attached to both, I learned from my father the art of tailoring. I grew up among fabrics and patterns, and at age 7 I was already able to make a pair of trousers. ... At Palazzo Marino, the tailor's installation, in contrast with the technology of the other rooms, is a way to say thank you to what tradition and roots represent and have represented for me. I do not forget roots and that certificate is maybe the symbol. I am very attached to it and I keep it in my personal atelier; where I do the initial fittings for the collection.

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At the Milan menswear shows thus far, congratulations must be given to a few of the brands, at least for staying power, if not for anything else. This week had a great showing by most, a mediocre presentation by a few, and a disappointing turn by some. Here are a few that stood out:

Zegna
Ermenegildo Zegna turned 100 this week. Let's just take a minute and bask in the glow of finer manhood. There aren't that many men's labels around that do what Zegna does with such precision. This brand is an endangered species and their collection this week in Milan speaks to my statement. This collection fit in great with the overall image of the brand. Cottons, linens, silks, and mohair collaborated to great result -- a consistent line. Slimly cut suits and high-rising pants came to the forefront of this collection with the occasional see through tops that solidified the European styling of the looks.

Dolce &Gabbana
D&G's men's collection celebrated its 20th birthday at Le déjeuner sur l'herbe. The theme was picnics and if there is one thing that D&G know how to do -- it's set the mood. The catwalk transformed into a pasture of grass with videos of families on picnics on a backdrop video wall. Male models were styled to look like the picnicking type, strutted down the runway in dressy/casual looks that presented the illusion that they had just left the office and made a slight adjustment to their outfit to convert it into a perfect lunch time ensemble for the park. Blazers paired with preppy shorts and longer pants with layered looks brought the D&G perspective full circle. However, the colors in the collection didn't go well together and seemed out of place at times -- especially if the overall theme was supposed to be a picnic.

Dsquared2
Dsquared2's presentation was underwhelming. I was expecting more excitement, especially after seeing their previous collections. With that being said, the collection was plain -- but Dsquared2's most wearable collection to date. The collection included Dsquared2's signature jeans paired with blazers, buttoned shirts, skinny ties, and swimwear that seemed conservative for the brand. Embellishments to the garments were minimal, giving the looks a highly Americanized feel. The models were styled in a cool and relaxed way with sunglasses on some, and half buttoned shirts -- Tom Ford style. My favorite piece was a tailored khaki suit with a lavender shirt unbuttoned to the top of the torso. The designers teamed the ensemble with dark sunglasses, black pointy shoes, and a medium-sized black belt encompassing a jet setter look.

Etro
Etro has become known for its excellent tailoring and bright colors. This time around, the colors didn't show up as often. The designer instead opted for transparent darker colors with his signature paisley print as a silhouette. The collection was a breath of fresh air for the brand that was beginning to be borderline predictable. Fun separates took to the green lawn runway in Milan with Jackets and pants with lace shirts -- quite different from your Etro of the past. Fun prints and embroidery on collars of jackets and shirts accented the collection beautifully without coming off as too much. This collection was a pleasant surprise.
Overall, the men's presentations in Milan were mediocre at best -- with the occasional surprise. It seems as if menswear is moving to a transparent stylistic approach this next season with see through tops and solid colors. I didn't see too many patterns and embellishments. I guess the fashion industry isn't through with simplicity yet -- at least not in Milan.

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By CHRISTINA PASSARIELLO

As they scrambled to whittle down dozens of outfits for Saturday's Dolce & Gabbana men's fashion show, designers Domenico Dolce and Stefano Gabbana paused earlier this week to debate a sandal made of rope. "This looks too fashion, too wild," Mr. Gabbana sneered at the shoe, its thick cord wrapped around a male model's ankle. Mr. Dolce grabbed a rope flip-flop. "That looks more adult," Mr. Gabbana said approvingly.

Over the past 20 years, Messrs. Dolce and Gabbana have built one of the biggest and most successful men's businesses by navigating the fine line between style and fashion. "Women are into fashion, men are into style," said Mr. Dolce, in between fittings for the 20th anniversary runway collection. "Style is forever."

The difference between the two meant a striped linen jacket and a silk blouse didn't make the cut from the new collection, whose motto -- "Sensual, Sartorial, Sicilian" -- marks a return to the brand's roots. A nautical theme permeated the looks that made the cut, from the sailing rope Mr. Dolce stranded through belt loops to a rugged beige fisherman's sweater. Dolce & Gabbana's show kicks off Milan men's fashion week, which runs from June 19 to 22.

Men have more style than ever to choose from. Luxury labels from France's Hermés to American icon Ralph Lauren are opening stores dedicated to men. Nearly all of the most prominent women's fashion houses -- Gucci, Prada, Dior, Chanel, Burberry -- dress men too. Online retailer Net-a-Porter announced earlier this month it is creating a men's site, Mr. Porter, with labels such as Lanvin, Yves Saint Laurent and Balmain.
Yet with two decades of experience under its crocodile belt, precursor Dolce & Gabbana has well-established legitimacy in the booming men's segment. Half of the company's €1.2 billion in 2008 sales came from the men's collection, a balance that no other major fashion house has achieved.
"In the last 20 years, the biggest revolution has been in men's fashion collections, not women's," said Mr. Gabbana. "Now men have an outfit for work, another one for dancing, another one for going to the restaurant -- like women."
Though suits remain at its core, the label has appropriated the full range of the male wardrobe, from underwear and sportswear to pageboy caps and wingtips. "It's clothing for the weekend, the office, going out at night," said luxury-brand consultant Robert Burke. "That's been their secret because they are that customer."

In fact, with their contrasting personalities, Messrs. Dolce and Gabbana are very different customers. The tall Mr. Gabbana, 48 years old, extroverted and flashy with a large ruby stud in his ear, brings the brand its richly baroque element visible in velvet slippers and brocaded jackets. The short, bald Mr. Dolce, 52, likes muted colors -- gray, blue, black, beige -- detests prints, and refuses to wear tank tops: "I'm ashamed that I don't have big arm muscles."

Men are more interested in their looks than they let on -- a fact that the design duo understands, said Jim Moore, creative director at men's fashion magazine GQ. "Men are innately not fashion people," he said. "But there's an inner peacock and we know what looks good on us."
Yet men's fashion can at times seem more farcical even than outrageous women's trends. Three-legged trousers from designer Thom Browne and Jean-Paul Gaultier's "Monsieur" line of mascara and other makeup are far-removed from wardrobe classics such as the suit, chinos and jeans.
Dolce & Gabbana has occasionally misfired by veering too far from the classics. Oversized paisley prints and grungy flannel lacked Italian chic. A spate of body-belts in the late 90s, worn over shirts and trousers, cinched waists in a feminine way. Mr. Dolce said an early-90s hippie-inspired collection -- complete with flower power and peace signs -- strayed too far from the brand's look.

Twenty years ago, the designers were the rising stars of Italian women's fashion with their five-year old brand. Messrs. Dolce and Gabbana, who met while working in a Milan design workshop in the early 80s, dressed in cutting-edge Japanese labels Comme des Garçons and Yohji Yamamoto. (The designers were romantic as well as business partners they announced their split five years ago.) Italian men's attire -- classic suits from Brioni, Giorgio Armani, Ermenegildo Zegna -- was too staid for their urban lifestyle.

But the Japanese designers didn't fulfill all their wardrobe needs. "There were some things we couldn't find, like tighter white shirts and slimmer pants," said Mr. Gabbana, dressed in ripped jeans and a black vest.

Still, they started timidly in 1990 by tweaking the classics. Three-button suits and pageboy caps worn with a scarf recalled Mr. Dolce's upbringing as the son of a Sicilian tailor. Pleated pants were paired with white shirts or voluminous overcoats. "Not a collection tied to the trend of the moment, but all what a man would like to have in his wardrobe," the designers advocated in their show notes, citing Luchino Visconti's classic 1963 film "Il Gattopardo" as an inspiration.

They soon settled into a routine that continues to this day. Mr. Dolce pores over racks of trousers, shirts, vests and underwear, pairing and reshuffling outfits, while Mr. Gabbana sits back and comments. "He likes to sew, to alter the clothes," said Mr. Gabbana, as his partner sliced a crisp pair of white pants into shorts with five swift cuts.

Gradually, the designers branched out beyond the elements of a suit. White underwear revealed a new body-conscious trend among men. Then came jeans, long before they were acceptable office attire. By the mid-90s and the appearance of track pants and sneakers on Dolce & Gabbana's runway, heralding the casual turn men's fashion was taking, the brand had a full repertoire of apparel that spanned any occasion.
Yet Dolce & Gabbana never abandoned the suit. Mr. Dolce said he changes it each season, making it closer-cut under the arm, dropping the button to reveal more chest, shaving extra volume off the shoulders. For the 20th anniversary collection, they come hand-stitched in washed silk. "Once, the suit was worn as a uniform," he said, spare pins sticking out of his pocket. "Today you wear it because you feel good in it."

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Best Match Items Ending First Newly-Listed Items First Price + Shipping: Lowest First Price + Shipping: Highest First

MENS 100 GENUINE ITALIAN DOLCE GABBANA BLACK LINEN JACKET 44
	$131.75 (16 Bids) End Date: Wednesday Feb-8-2012 11:50:08 PST Bid now

NWT 1795 DOLCE GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy
	$695.00 End Date: Wednesday Feb-8-2012 14:43:18 PST Buy It Now for only: $695.00 Buy It Now

NWT 2195 DOLCE GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy
	$695.00 End Date: Wednesday Feb-8-2012 15:50:19 PST Buy It Now for only: $695.00 Buy It Now

MENS DOLCE GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35
	$84.13 (15 Bids) End Date: Thursday Feb-9-2012 11:41:56 PST Bid now

MENS 100 GENUINE LEATHER DG DOLCE GABBANA BIKER BOMBER JACKET COAT 40R M
	$117.46 (10 Bids) End Date: Thursday Feb-9-2012 11:50:49 PST Bid now

MENS QUALITY DG DOLCE GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY
	$41.27 (5 Bids) End Date: Thursday Feb-9-2012 12:27:55 PST Bid now

Beautiful DOLCE GABBANA Mens Suit Jacket Pants sz 50
	$234.00 End Date: Thursday Feb-9-2012 14:51:21 PST Bid now

2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50
	$474.97 End Date: Thursday Feb-9-2012 19:11:09 PST Buy It Now for only: $524.97 Buy It Now | Bid now

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Dolce&Gabbana: Preview the FW11 men's collection - Part 3

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Best Match Items Ending First Newly-Listed Items First Price + Shipping: Lowest First Price + Shipping: Highest First

MENS 100 GENUINE ITALIAN DOLCE GABBANA BLACK LINEN JACKET 44
	$131.75 (16 Bids) End Date: Wednesday Feb-8-2012 11:50:08 PST Bid now

NWT 1795 DOLCE GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy
	$695.00 End Date: Wednesday Feb-8-2012 14:43:18 PST Buy It Now for only: $695.00 Buy It Now

NWT 2195 DOLCE GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy
	$695.00 End Date: Wednesday Feb-8-2012 15:50:19 PST Buy It Now for only: $695.00 Buy It Now

MENS DOLCE GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35
	$84.13 (15 Bids) End Date: Thursday Feb-9-2012 11:41:56 PST Bid now

MENS 100 GENUINE LEATHER DG DOLCE GABBANA BIKER BOMBER JACKET COAT 40R M
	$117.46 (10 Bids) End Date: Thursday Feb-9-2012 11:50:49 PST Bid now

MENS QUALITY DG DOLCE GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY
	$41.27 (5 Bids) End Date: Thursday Feb-9-2012 12:27:55 PST Bid now

Beautiful DOLCE GABBANA Mens Suit Jacket Pants sz 50
	$234.00 End Date: Thursday Feb-9-2012 14:51:21 PST Bid now

2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50
	$474.97 End Date: Thursday Feb-9-2012 19:11:09 PST Buy It Now for only: $524.97 Buy It Now | Bid now

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Dolce&Gabbana: Preview the FW11 men's collection - Part 2

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Best Match Items Ending First Newly-Listed Items First Price + Shipping: Lowest First Price + Shipping: Highest First

MENS 100 GENUINE ITALIAN DOLCE GABBANA BLACK LINEN JACKET 44
	$131.75 (16 Bids) End Date: Wednesday Feb-8-2012 11:50:08 PST Bid now

NWT 1795 DOLCE GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy
	$695.00 End Date: Wednesday Feb-8-2012 14:43:18 PST Buy It Now for only: $695.00 Buy It Now

NWT 2195 DOLCE GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy
	$695.00 End Date: Wednesday Feb-8-2012 15:50:19 PST Buy It Now for only: $695.00 Buy It Now

MENS DOLCE GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35
	$84.13 (15 Bids) End Date: Thursday Feb-9-2012 11:41:56 PST Bid now

MENS 100 GENUINE LEATHER DG DOLCE GABBANA BIKER BOMBER JACKET COAT 40R M
	$117.46 (10 Bids) End Date: Thursday Feb-9-2012 11:50:49 PST Bid now

MENS QUALITY DG DOLCE GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY
	$41.27 (5 Bids) End Date: Thursday Feb-9-2012 12:27:55 PST Bid now

Beautiful DOLCE GABBANA Mens Suit Jacket Pants sz 50
	$234.00 End Date: Thursday Feb-9-2012 14:51:21 PST Bid now

2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50
	$474.97 End Date: Thursday Feb-9-2012 19:11:09 PST Buy It Now for only: $524.97 Buy It Now | Bid now

« Previous12345...1213Next »

Dolce&Gabbana: Preview the FW11 men's collection - Part 1

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Best Match Items Ending First Newly-Listed Items First Price + Shipping: Lowest First Price + Shipping: Highest First

MENS 100 GENUINE ITALIAN DOLCE GABBANA BLACK LINEN JACKET 44
	$131.75 (16 Bids) End Date: Wednesday Feb-8-2012 11:50:08 PST Bid now

NWT 1795 DOLCE GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy
	$695.00 End Date: Wednesday Feb-8-2012 14:43:18 PST Buy It Now for only: $695.00 Buy It Now

NWT 2195 DOLCE GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy
	$695.00 End Date: Wednesday Feb-8-2012 15:50:19 PST Buy It Now for only: $695.00 Buy It Now

MENS DOLCE GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35
	$84.13 (15 Bids) End Date: Thursday Feb-9-2012 11:41:56 PST Bid now

MENS 100 GENUINE LEATHER DG DOLCE GABBANA BIKER BOMBER JACKET COAT 40R M
	$117.46 (10 Bids) End Date: Thursday Feb-9-2012 11:50:49 PST Bid now

MENS QUALITY DG DOLCE GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY
	$41.27 (5 Bids) End Date: Thursday Feb-9-2012 12:27:55 PST Bid now

Beautiful DOLCE GABBANA Mens Suit Jacket Pants sz 50
	$234.00 End Date: Thursday Feb-9-2012 14:51:21 PST Bid now

2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50
	$474.97 End Date: Thursday Feb-9-2012 19:11:09 PST Buy It Now for only: $524.97 Buy It Now | Bid now

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