That suit may be yours, but is it you?

By RAY A. SMITH

Every workday, scores of businessmen go through the motion of putting on a dark suit and tie. These men end up looking almost indistinguishable from every other guy—and that's part of the problem.
For the man who wants to stand out, but not stick out, there are ways both subtle and bold to inject personality into a suit-and-tie look without prompting gawks from the office peanut gallery.

The trick is navigating how much to push the personalization. The look must be comfortable and confident, never forced or affected. Taken too far a man risks being accused of having a mid-life crisis or becoming a slave to fashion.

Suiting Up
Popular in the big-shouldered '80s, the double-breasted suit is mounting a comeback.

"Personalizing your suit demonstrates confidence and creativity," says David Lisbon, a menswear personal shopper at Bloomingdale's Manhattan flagship store.

Men just starting their careers may see the suit-and-tie thing as restrictive, a capitulation to a future of being just another bland man in a gray flannel suit. Older men may want to add some personal flair to their old standard.

Robin Walker, a Chicago-based image strategist, says her average client is 45 to 60 years old: "They are bored wearing the same old stuff," she says. "It may be stress-free and a no-brainer but they are tired of looking at it."

At the men's fashion shows in Europe late last month, some designers showed suits accessorized with gauzy scarves, T-shirts, sandals and even shorts.
Still, a man has to know when to say what's right and what's not for him—and avoid being a slave to outré runway looks.

Often, personalizing a suit just involves small tweaks and accessories. That can mean something that isn't immediately apparent to others, like a barely there pocket square. Or a leather braided or beaded bracelet worn just above the watch, recommends Eric Jennings, men's fashion director at Saks Fifth Avenue. "When you're reaching for your glass of wine or fork, [others] will see a flash of it." Mr. Jennings says he noticed a number of men wearing such bracelets last month in Italy, where he was attending menswear shows.

Another way to personalize a suit is with a custom belt, suggests Mr. Lisbon. The Trafalgar label, for example, has a program in which shoppers choose belt color, leather type, buckle and monogram style.

When it comes to cufflinks, going whimsical and quirky is acceptable, says Mr. Lisbon, so long as the designs aren't objectionable or offensive (no pin-up girls). Cufflinks can add a hint of color and humor to a more conservative look and also reflect the wearer's off-work interests with, say, a golf motif or images of sailboats.

A pocket square is an easy way to distinguish a suit. "It's a small thing but it does speak volumes," sending the message you care about the way you present yourself, says Mr. Jennings.

"Don't get hung up on the proper way to fold it," he adds. "There is no right or wrong way." Mr. Jennings notes that the Brunello Cucinelli label showed pocket squares folded in a number of different ways at a recent trade show.

The perfect suit watch is an equal mix of conservative and trendy, says Mr. Lisbon. He recommends a Frederique Constant model that is rose gold, which is popular right now, but is otherwise understated. While it can be worn with many suits, "it just oomphs up the classic khaki suit," he says.

Ms. Walker says it's OK to be a bit adventurous with the watch, choosing one that has a bolder face or evokes a certain time period. "It means [others] will have something to talk about when they shake your hand."
Leather bracelets, called wristlets, can be worn above a watch for a personalized look. Ms. Walker says one of her clients, who is more rock'n'roll when off the clock, wears a skull and crossbones bracelet under his suit to reflect that part of his personality.

She approves. "The outside of the suit is for everybody else, the inside is for you," she says.

Double-Breasted Lite
double breasted suit
The double-breasted suit, popular in the big-shouldered '80s, is mounting a comeback. It was all over the runways at the recent spring 2012 men's shows in Europe and the July issue of GQ featured a double-breasted suit jacket on its cover for the first time since 1998. The look can give off a yacht captain or Masters of the Universe vibe without attention to a man's accessories. One key to personalizing the double-breasted suit (Z Zegna, $1,275, above), Bloomingdale's David Lisbon says, is to invest in a newer model that's slimmed down with four buttons rather than the typical six or more. Since the jacket covers more chest than a single-breasted, adding a lot of color with the tie (Turnbull & Asser, $185) and pocket square (Duchamp, $85) is the crucial play. A briefcase bag (Salvatore Ferragamo, $990), rather than a traditional boxy briefcase, also diffuses the stuffiness.

Power Khaki
khaki suit
In some people's minds, a khaki suit (the Men's Store Bloomingdale's, $350) can come off as Dockers-casual. While it's less formal than a wool suit, there are ways to personalize it to hit a sweet spot between basic-dressy and sporty. One way: Ditch the tie and focus on the shirt color, says Bloomingdale's David Lisbon. This bold purple-and-white check patterned shirt (Eton, $245), makes for a sophisticated, office-appropriate look. Other company men will wear their khaki suit with a tie, so going without will appear unique in a good way. Add a simple white sneaker (Jack Purcell for Converse, $80), as opposed to an athletic sneaker, to 'make it a little bit more summery nice,' Mr. Lisbon says. For the man who's just not a sneakers-guy, he recommends a slip-on loafer in some shade of brown. Adding a sleek, soft, attaché-style brown leather bag (Jack Spade, $375) 'dresses up the suit a tad,' Mr. Lisbon adds.

Urban Southern

In the wrong hands, a seersucker suit (Hugo Boss, $795) can look like a costume from the old-timey South—one reason some men find seersucker hard to pull off. The key to owning this look is to make the warm-weather Southern fixture more urbane, starting with the shoes. 'You're taking something classic and adding edge to it with a nice brown monkstrap, with or without a sock,' says Bloomingdale's David Lisbon. The shoe (Bruno Magli, $570) also helps dress up the seersucker. A simple pocket square—seersucker already makes enough of a statement so no need to go wild—adds a touch of formality, while the slim cotton tie (The Men's Store Bloomingdale's, $59.50) keeps the look relaxed and balanced. Another modernizing accessory is a backpack (Prada, $830) with a top handle so it can be carried by hand to a meeting, without wrinkling the jacket shoulder.

The New Navy
navy blue suit
For the man who wants to project to the wider world that he is conservative but signal to intimates that he has some style tricks up his sleeves, start with a navy suit (Canali, $1,695). Whimsical light-blue cufflinks (Jenny Knott, $350) stay in the blue family but add a pop of color that mostly will be noticed by people in direct contact with the wearer. Socks (Duchamp, $35) are another opportunity to sneak in some personal style, says Bloomingdale's David Lisbon. 'He can be very conservative on top but show personal flair on the bottom.' Mr. Lisbon recommends a tie bar, 'which adds that extra layer of sophistication.' Look for one with some texture or engraving (Burberry, $150). For shoes, Mr. Lisbon prescribes moving away from the expected lace-up with a simple loafer with a modern edge, and less of a rounded toe. A loafer (Salvatore Ferragamo, $570) also tends to be lower in the front, a better way to flash a bit of fun sock color.

Return of the Baggy Look for Men

After years of showing snug, skinny and even constricting clothing, some menswear designers are in a more relaxed mood. Fashion houses such as Calvin Klein Collection, Comme des Garçons and Louis Vuitton put fuller, wider cuts in their runway collections for this year, featuring baggy pleated pants and voluminous, flowing shirts and coats.

"It was the right time to change the silhouette" after seasons of tight clothing, says Italo Zucchelli, men's creative director of Calvin Klein Collection whose fall 2011 collection at New York fashion week featured full, pleated pants and oversized bomber jackets. "Sometimes it's almost like your eye is looking for something else, looking for a new direction, a new feel," he adds.

Menswear Loosens Up

After years of showing snug, close-cut clothing for men, some designers such as Calvin Klein Collection, Comme des Garçons and Louis Vuitton put fuller, wider cuts on their runways this spring, featuring baggy pleated pants and voluminous, flowing shirts and coats.
Calvin Klein Collection men's fall 2011 show at New York fashion week featured full, pleated pants and oversized bomber jackets.
Yet mainstream brands—as well as many men—have only recently gotten comfortable with the slimmer silhouettes that flooded the catwalks in recent years.

"It took us a long time to get men into flat-front pants," says Nickelson Wooster, men's fashion director at Neiman Marcus and Bergdorf Goodman. "I don't think either the customers or the stores are ready to throw that away."
With fitted clothing still selling well, retailers see the new silhouette as a look for the fashion-forward, at least initially. While Bergdorf Goodman now carries long, drapey T-shirts from Rick Owens and plans to carry pleated trousers from Dries Van Noten, Mr. Wooster says it will take a while for fuller looks to reach regular guys.

In menswear, "the pace of change is glacial," he says. "As more men see more images of newer fits, then over time, their eyes will adjust."
For some designers, however, the shift is sharp. Even lines like Dior Homme and Thom Browne, once poster children for supernarrow, body-hugging silhouettes, have been adding more wiggle room to their clothes.

Mr. Browne says he likes to play with classic looks' silhouettes and proportions "to make them not so classic." For fall 2011, that meant some baggy pants, including roomy jodhpurs, on the runways. Dior Homme started getting baggier last spring.

Mr. Wooster cites designer Tom Ford as a key influence on the emerging silhouette. Mr. Ford, he says, "has proposed a more aggressive clothing model that has a bigger shoulder, wider lapel and a longer jacket." Tom Ford's latest collection also includes pleated pants.

The looser look may come as a relief to many of the men who squeezed themselves into slim-cut pants and shirts in recent seasons. Karl Lagerfeld wrote in a 2004 book that he was motivated to lose some 90-odd pounds in 13 months in part by the desire to fit into Dior Homme's skinny clothing.
But before men rejoice, style experts say, they should consider that baggy pleated pants aren't as forgiving as men think. "You have to be tall, you have to be in shape" to pull them off, says Mr. Zucchelli of Calvin Klein. "They're not for everybody," including, he says, himself.
Mr. Wooster concurs. "I think flat-front trousers always look cleanest, regardless of body type."

Men who still want to cling to tighter styles don't have to worry. Prada and Versace are among the labels sticking to closer-fitting clothes. Even Mr. Browne isn't completely abandoning his signature look. And the exaggerated runway looks may not be as wide and full when the clothes actually reach stores.

At Saks Fifth Avenue, the relaxed silhouette and pleated pants will show up "in our advanced designer area," said Eric Jennings, men's fashion director. But this is "a specific niche audience in only a handful of locations across the country."

Still, he noted one more constituency for pleated pants. "We'll still have some pleats for our traditional, conservative customer who never really switched to flat-front trousers in the first place."

Double-Breasted Jackets are Everywhere, Again

By Jason Chow

New York Fashion Week has just ended and you’re a stylish guy but… well, who has time to keep on top of it all? A fashion-week primer should fit nicely.
First of all, a lesson on timing: New York Fashion Week, which showcases the next autumn/winter season, is regarded as the kickoff to the year for the entire fashion industry. But men’s and women’s fashion don’t adhere to the same schedules. Menswear-only fashion shows took place in Milan and Paris in January, before the men’s shows in New York. At least in this case, men are ahead of their opposite sex when it comes to clothes.
Before we discuss the trends, remember that sticking to the classics is still the best way to build a wardrobe. What you see on the runway is not necessarily what you should wear every day.

Nevertheless, there are some fashion week trends worth noting:
Double-breasted everything: Spot it on almost all types of coats in all kinds of shapes. Casual, unlined sports jackets for the weekends and short, barely waist-length wool coats for colder climes.

Chunky turtlenecks: Sweaters with collars that will make your neck as wide as Mike Tyson’s were all over the runways, including at shows by N. Hoolywood and Tommy Hilfiger. Designers were perhaps inspired by the extreme snow and cold of the New York winter. These were even matched with blazers—often double-breasted ones, of course.

Wider pants: The moment for skinny jeans has now finally passed, and it’s time for your legs to breathe more freely again. Of course, what you will gain in comfort, you’ll lose in clean, angular lines. We’re not yet at the stage where parachute pants are set for a comeback. But during New York Fashion Week, the Calvin Klein show proved that even a brand that has stood by the sharp, skinny suit for the past decade is cutting guys a bit of slack around the leg with some pants that were as baggy as a pair of fleece sweat pants.

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Armani to Stay the Course

Giorgio Armani is a fashion icon. He is known in particular for his menswear although as many of his peers have done, he has branched out into other areas.

For the most part Armani adheres to simpler designs and patterns, and for this reason his men’s ties have become classics which never go out of style.

There’s a reason why Armani is one of the top fashion brands in the world. And that it is because of designer and founder Giorgio Armani. And when asked about hiring new breed of fashion designers for the fashion house, the 76-year-old explained that he is happy with the way things are and added that when changed need to be mane, it is better to have someone who already works for the firm take over.

One of Armani’s tenets is for a designer to be true to themselves and their philosophy. Unfortunately many people dabble in a variety of areas without a vision or sense of self, and in the end lack the consistency that Armani has attained over the years.
But that doesn’t mean that we have seen the last of this genius’ work, because he has no intention of standing down from his fashion house soon.
He said, “I want to go out and run my company with the people that I have. This is a company that is going into the future with whatever changes and evolutions are needed. If you put in a different design talent, say someone spectacular like Galliano, it wouldn’t be Armani anymore.”
That is why Giorgio is working hard to make people who work at Armani understand his aesthetics. And he is very happy that it is working and is very proud of everything the company has achieved.

In his interview with British Vogue, “I have to make those around me understand the style of Armani. I find it absurd, the idea of putting someone in place who will undo everything I have done in the last 20 years. It would be such a shame when one has built something with such care.”

Add a touch of Giorgio Armani to your wardrobe today!

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Successful Men Wear Brioni

While reading an international daily a few months back, I chanced upon an advertisement for Brioni. I was pleasantly surprised to find a distinguished-looking male model in a handsome suit side by side with an equally elegant-looking female model wearing a perfectly tailored dress-and-jacket ensemble that exuded timeless femininity and grace. I wasn’t aware that Brioni also had a women’s line, so when I found out they opened a flagship store in Ginza in May, I had to have a look-see; I contacted the gracious head of PR for Brioni-Tokyo and got a lowdown on the label.

Brioni is a fashion brand that is synonymous with unparalleled luxury; it reigns supreme in men’s clothing and is distinguished by impeccably cut and elegantly tailored suits in the finest of fabrics. Their long-standing tradition of creating only the best in men’s fashion remains unchanged, 65 years after their first atelier opened in Rome on Via Barberini.

Brioni is named after the Istrian Island frequented by the most exclusive European jetsetters in the first decades of the 20th century. The fashion house was the brainchild of a tailor from Penne named Nazareno Fonticoli and a businessman from Umbria by the name of Gaetano Savini. Their combined love of elegance and an enterprising spirit brought Italy’s top-class tailoring to the forefront of international fashion.

Headed by Andrea Perrone, grandson of Gaetano Savini, the descendants of the founding families of the brand manage the business and are just as committed to maintaining Brioni’s unrivaled position in the luxury tailoring and lifestyle market.

A Stitch at a Time
The creativity involved in realizing a Brioni garment is close to an art form. It takes about 18 to 22 hours to create one suit; 220 steps equate to 440 hands working on one piece of clothing. Every worker is dedicated to only one phase, with 80 workers assigned to ironing alone. Depending on the design and type of construction required, 5,000 to 7,000 stitches are hand-sewn to each jacket; every sewing phase is followed by ironing, then by a “precise resting” phase that varies according to the fabric and the garment’s geographic and climatic destination.

Fabrics are strictly inspected to ensure that they have the fundamental elasticity. Silk, mohair, linen, cotton and gabardine are subject to modification so as to consistently guarantee the best possible movement and the proper, comfortable fit of each piece of clothing. Each fabric is then matched with a particular type of lining, 50 available varieties in all. Along the way, numerous intermediate inspections take place, especially after the article is pressed. Each garment is given several hours to rest and is checked for any reaction that might affect the finish and if there is one, appropriate modification automatically follows.

Today, the Brioni brand rests in the hands of 400 master tailors and a total of 1,650 employees. Truly, no other brand exemplifies the exquisite craftsmanship of “Made in Italy” than Brioni.

Quest for Perfection
Made-to-measure tailoring is one of Brioni’s most traditional and satisfying rituals; it is also the epitome of exclusivity. Brioni has established an exclusive service that provides their clients from all over the world access to their master tailors. These master tailors travel the globe 90 days out of a year, paying personal visits to their clients and providing them with one-of-a kind, specially crafted clothing with the perfect fit. They travel not only to a client’s city but also the client’s world; they learn about his taste, aesthetic approach, cultural background, lifestyle and psychological component and integrate them into the client’s final wardrobe choice.

Seven generations of master tailors have already been trained by the Nazareno Fonticoli School of Tailoring founded in 1985 in Penne, Abruzzo, to continue the tradition of Italian tailoring; the school cultivates the talents of dedicated young students through a four-year course on traditional tailoring followed by a one-year apprenticeship in modern manufacturing techniques at Brioni.

More than Just Clothes
Unknown too many, even before lifestyle became a byword in the fashion industry, Brioni was already fully embracing the concept. The brand is responsible for the first Italian polo club established in 1924 and has since organized a number of Brioni Polo Classic competitions. The fashion house keeps a small Polo collection for both players and fans of the sport — gentlemen and experts who share a passion for this ancient, virile and unrivaled sport.

In 2005, Brioni partnered with The Four Seasons Hotel-Milan to create “Suite Brioni,” a haven on the top floor of the hotel. Located a short distance from its Milanese headquarters, the hotel suites were created by Brioni architects and interior designers in a style that reflects the atmosphere of an intimate apartment, a refuge that comforts, delights and soothes. One-of-a-kind pieces like the Louis-Philippe armchair irreverently updated in contemporary fabric, Syrian silver tables, Empire armchairs in horsehair and a bassorilievo by cabinet-maker Giuseppe Amato fill the suites.

You too can wear a Brioni suit or a Brioni sport coat. Check the prices below and I think you will be surprised at how affordable many of their suits and jackets are when discounted.

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Creating a Successful Business Image : Proper Fit for a Jacket

Learn tips and advice on how to develop a professional wardrobe for men, including business casual style and the proper fit of a suit jacket in this free how to video.

Proper Wedding Attire for Men

Gentlemen, a wedding invitation arrives from someone important - perhaps from your boss, a favorite cousin, or worst of all, an old flame. You've got to go, and you've got to look good. There's no need to panic, say local style experts. Here are their top tips.

Read the invitation. It provides important clues to planning your attire. Note the location and time of day. A daytime wedding in a garden is more casual than one in the evening at a church.

Suit up. A suit is always appropriate, particularly for a more formal affair. "A navy blue suit, white shirt and tie make up the wedding uniform," says Miguel Lopez, proprietor of the Castro menswear store, Sui Generis. Just remember that the fabric has to be appropriate to the season. Spring and summer require lighter fabrics, such as cotton and linen. Save the heavier wools and cashmeres for fall and winter weddings.

Consider the alternative. If a suit is just not your style, luckily there is another acceptable wedding outfit. You will always look sharp in black dress pants or black khakis, a white button-down shirt, a sport coat and a tie, with black shoes, belt and socks. You can drop the coat for more casual weddings.

Pay attention to detail. A tie and leather dress shoes, such as oxfords or loafers, are the essential accessories to any outfit. Socks should match the color of the pants and belts should match the shoes. A shoeshine is a must.

Try it on. Whatever you are going to wear, make sure it's all pressed and fits well. Tailoring is, and many also advise staying away from pleated pants. A flat front is modern, clean and classic, but not yet to my personal liking.

Make your mark. Show a little personality and sport a colorful tie or consider a pocket square. It completes the look. If you know the bride's wedding colors, you might want to echo them in either your tie or pocket square.

Buy what you need. If you want investment quality pieces, Ermenegildo Zegna, Ralph Lauren, Giorgio Armani or Brooks Brothers for a more conservative look. All offer suits that won’t disappoint. If budget is an issue, check the Best Designer Suit Store online.

Avoid the missteps. No matter how casual the wedding, you can't look your best in sneakers and shorts. Daniel Billett, guide to Men's Fashion on About.com and author of "Mistakes Men Make," includes in his list of no-nos jeans, cargo pants, Birkenstocks, wrinkled shirts, scuffed shoes, and wild colors or prints.

Many agree that weddings are opportunities. "First impressions matter." "You might meet your future mate." If that happens, there's just one last step ... invite the old flame to your wedding.

Gabbana on design

By ADAM TSCHORN, Los Angeles Times

Designers Domenico Dolce and Stefano Gabbana were the toast of the town during last month's men's fashion week in Milan. It wasn't just because of their 20th anniversary menswear show, which included Morgan Freeman in the audience and Annie Lennox at the piano - it was the star-studded red carpet gala that followed later that evening and a three-day public exhibit at Palazzo Marino (Milan's city hall) that featured rows of gleaming Apple iPads, flickering TV sets and the tools of the tailoring trade that once belonged in the atelier of Dolce's father.

Three days later, the Gabbana half of the design duo shared some of his thoughts on what's changed since they sent their first menswear collection down the runway in January 1990, five years after launching as a women's line. Sitting in the company's Via San Damiano headquarters in Milan, on a red velvet couch the size of an automobile, surrounded by a sea of leopard-print wallpaper and curtains and flanked by autographed photos of Nicole Kidman and framed Madonna album covers, Gabbana spoke of slim white shirts, David Beckham and Twitter.

Q: Do you take any time off between working on the men's collections and the women's collections?
A: Tomorrow we go to Moscow for a party celebrating the D&G store opening. After we come back from Moscow, I'll take about three days off, then it's right into the women's. I prefer it that way because of the adrenaline. We will work until the end of July and then take the month of August off.

Q: When it comes to inspiration and design, are the men's and women's collections conceived of together?
A: The collections are completely different, but sometimes the moods will be similar. And since the men's show is at the end of June, we have all of July, August and September to further develop and change the idea, to try different things (for the women's collection).

Q: How did the men's side of the Dolce & Gabbana label come about in the first place?
A: We decided to make men's because we had a hard time finding clothes we could wear. At the time we wore Japanese designers like Comme des Garcons and Yohji Yamamoto, but I couldn't find white shirts that were just a little bit slim, and unconstructed jackets without shoulder (pads), so we started to make them ourselves. And when our friends started asking about the clothes and where we got them, we decided to start doing a men's collection.

Q: What has changed the most since that first menswear collection hit the runway in January 1990?
A: It has totally changed - the roots are the same and the taste is the same, but that was 20 years ago.
Men used to have these Superman bodies when we started - like bodybuilders. Proportions have changed, and men's bodies are sporty but not built like they were before. People are healthier and more body conscious. Even the black suit has changed because it's more slim now - but at least the tank top hasn't changed!

Q: Dolce & Gabbana has always been able to leverage celebrity. Over the years, who has had the biggest effect on your menswear business?
A: Things really started to change in men's when we started to work occasionally with David Beckham. He was the channel we needed to speak to men. Here was a soccer player who is straight, with a wife and children, and men were saying: "If he wore it, I can wear it too." Before that it felt like men's fashion was just for gay men or strange people - men were afraid to wear something special.

Q: How did Annie Lennox become involved in your 20th anniversary menswear show?
A: Making a fashion show is difficult, because you aren't just presenting a new collection, you're trying to make an emotional connection. The customer needs that. We were reminded of that about a year ago. So when we started working on this collection, we wanted something that would be quiet, almost relaxing, but powerful at the same time. And that made us think of Annie Lennox. We didn't think she would do it, but we asked her and she said yes.

Q: What happened a year ago that made you rethink how you connect with the customer?
A: This was about the women's, not the men's, but we received an anonymous letter from a customer that said: '"Where are Dolce and Gabbana, and why don't you make the real Dolce & Gabbana (label) anymore?" That was kind of a shock because we were so focused on always looking for the new, we left the rest behind. So this was a real moment for us to stop and look back at who we are and to focus more on the customer and not the trend. Right now we don't care about trends.

Q: You were some of the earlier designers to embrace the blog culture and social networking. Why?
A: Two years ago, we were the first to invite bloggers to sit in the front row at our shows. We understand what people want - it's another point of view and it's democratic information. Now we also post short videos to YouTube right before we show a collection, because that is our chance to speak directly to the consumer. It is our point of view, just like the newspaper or magazine is the point of view of the journalist. There is room for all of it.

Q: And now you use Twitter, right?
A: Yes, sometimes I'll use Twitter to ask whether people prefer black or white, corset or no corset. Two months ago, I took a picture of a flower and some said: "Why don't you use that on a fabric?"

Q: Do people know it's actually you?
A: Yes, but sometimes they'll ask: "Is it really you?" We have a separate account for Dolce & Gabbana PR, @stefanogabbana is my own, and I don't just talk about work, I talk about my dog, my dinner, my friends, the sunset. I love to work between technology and tradition. If you find the balance, it's interesting. You don't want to lose the tradition, but you don't want to ignore the new.
Later, Dolce, co-founder and partner in the Dolce & Gabbana brand, responded through his publicist about the importance of including items from his father's atelier in the 20th anniversary exhibit in Milan.
Domenico Dolce (via e-mail): That's my father's certificate from the Palermo tailor school, which my father attended and graduated from in the early 1930s. The Milan exhibit also featured the mirror of my father's atelier. I am very attached to both, I learned from my father the art of tailoring. I grew up among fabrics and patterns, and at age 7 I was already able to make a pair of trousers. ... At Palazzo Marino, the tailor's installation, in contrast with the technology of the other rooms, is a way to say thank you to what tradition and roots represent and have represented for me. I do not forget roots and that certificate is maybe the symbol. I am very attached to it and I keep it in my personal atelier; where I do the initial fittings for the collection.

MENS 100 GENUINE ITALIAN DOLCE GABBANA BLACK LINEN JACKET 44
MENS 100 GENUINE ITALIAN DOLCE  GABBANA BLACK LINEN JACKET 44 $131.75 (16 Bids)
End Date: Wednesday Feb-8-2012 11:50:08 PST

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NWT 1795 DOLCE GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy
NWT 1795 DOLCE  GABBANA Martini Solid Black Wool Silk Suit Slim 46 R Italy $695.00
End Date: Wednesday Feb-8-2012 14:43:18 PST
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NWT 2195 DOLCE GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy
NWT 2195 DOLCE  GABBANA Luxury Solid Black Wool Suit Slim 46 L Italy $695.00
End Date: Wednesday Feb-8-2012 15:50:19 PST
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MENS DOLCE GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35
MENS DOLCE  GABBANA DG SLIM FIT STRIPY SUIT 42L W36 X L35 $84.13 (15 Bids)
End Date: Thursday Feb-9-2012 11:41:56 PST

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MENS 100 GENUINE LEATHER DG DOLCE GABBANA BIKER BOMBER JACKET COAT 40R M
MENS 100 GENUINE LEATHER DG DOLCE  GABBANA BIKER BOMBER JACKET COAT 40R M $117.46 (10 Bids)
End Date: Thursday Feb-9-2012 11:50:49 PST

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MENS QUALITY DG DOLCE GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY
MENS QUALITY DG DOLCE  GABBANA BROWN SMOKING JACKET CORD BLAZER 40 ITALY $41.27 (5 Bids)
End Date: Thursday Feb-9-2012 12:27:55 PST

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Beautiful DOLCE GABBANA Mens Suit Jacket Pants sz 50
Beautiful DOLCE  GABBANA Mens Suit Jacket  Pants sz 50 $234.00
End Date: Thursday Feb-9-2012 14:51:21 PST

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2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50
2390 NWT DOLCE GABBANA BLACK LABEL 3 B SUIT 40 R e50 $474.97
End Date: Thursday Feb-9-2012 19:11:09 PST
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Construction
Same deal as with cars and watches: It's what's inside your suit jacket that counts the most, and for summer you want to avoid any padding or lining that might prevent your body from breathing. For maximum comfort, go completely unlined with the likes of this Zilli suit.

Cloth
Look for lightweight wools or some blended variation thereof — e.g., the wool-and-silk weave of this Brioni suit. Wool is usually weighed in ounces, and weaves in the seven-to-ten-ounce range (with seven being lighter and thinner) hit the summer sweet spot. You should also pay attention to the so-called super number (e.g., this suit's super 150 designation), with a higher number indicating finer, lighter-weight cloth

Color
If your job entails going from air-conditioned car to air-conditioned office and back again, you can get away with wearing dark suits straight through Labor Day. But if you're in and out of doors all day, opt for a lighter shade (like stone, pictured here) that reflects light and minimizes heat.

Technology
Beware newfangled technology in tailoring — except when said technology actually works. This Cool Effect suit from Ermenegildo Zegna, for one, is made of brown wool that has been dyed to take on the reflective properties of a much-lighter-color cloth.

Zegna Celebrates 100 Years in Fashion

One of men’s fashion's most storied brands, Ermenegildo Zegna, celebrated its 100th anniversary on Monday, June 21, with a swish and stylish double-header fashion show and a impressive retrospective exhibition in Milan.

Founded by Ermenegildo Gildo in 1910 after his watchmaker father acquired a couple of looms in an early example of entrepreneurship, today Zegna is a brand boasting sales of over one billion dollars. And it’s still all in family hands.

To celebrate its centenary, Zegna mixed heritage with innovation by staging two consecutive shows, held in La Triennale, which was also the setting of the Monday opening of a retrospective named, “Ermenegildo Zegna 100 Years of Excellence.”

Events opened with a display of the house’s main line, which was all about the fabric of this Milan season – seersucker, though instead of the usual contrasts of blue, or red, and white, there was lots of black and gray, or of navy and sky-blue.

Milan has also heralded the latest death of the tie, in an almost tie-free season, and they were largely banished at Zegna, though its bread and butter business is the sleek business suit. Instead, most models sported cotton or silk bandanas and racing stocks, and were all the more dashing for that.

Next came the far more fashion-forward Z Zegna collection, whose creative director, Alessandro Sartori, is currently rated the most sophisticated, new tailor in Italy. For next spring, he sees men in rugged linens and mixes of silk, cotton and even jute.

Sartori cut blazers and Eisenhower jackets with exposed seams and tapped into a major new look here, semi-transparent tailoring. By using silk chiffon mixes, he makes jackets super-lightweight and user friendly – they keep their shape and keep the wearer cool at the same time.

Featuring a palette of blood orange, cement, faded gray and rust, Sartori dreamed up some great new looks, even if his insistence on cutting most trousers two inches above the ankle seemed a tall ask for most men.

“I wanted the past and present of Zegna, but with the technological tailoring of the future,” Sartori said, as he received compliments backstage, dressed in a rough-hewn slate gray hemp suit.

Testifying to the longevity of this family business, the founder’s son, Angelo Zegna, a sturdy 88-year-old, took a bow at the show’s finale.

“For me it’s always about roots and winks. The roots are our tailoring, our great suits that give men a distinguished look. And the winks are our experimentation, our determination to try something new. And I think we saw plenty of both today,” smiled CEO Gildo Zegna, as the crowd of 1,500 drifted out of the event.

You can purchase Zegna mens' suits at subsantial savings below:

NWT 2595 ERMENEGILDO ZEGNA TROFEO Slate Blue Stripe Side Vent Wool Suit 46 R
NWT 2595 ERMENEGILDO ZEGNA TROFEO Slate Blue Stripe Side Vent Wool Suit 46 R $875.00
End Date: Wednesday Feb-8-2012 11:03:44 PST
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Zegna Suit New With Tags Retails For 1100
Zegna Suit New With Tags Retails For 1100 $499.00
End Date: Wednesday Feb-8-2012 11:17:45 PST
Buy It Now for only: $675.00
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Ermenegildo Zegna 42L Wool Green Forest Suit
Ermenegildo Zegna 42L Wool Green Forest Suit $70.99 (2 Bids)
End Date: Wednesday Feb-8-2012 13:02:05 PST

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mens grey pinstripe ERMENEGILDO ZEGNA wool suit 38R 38 Reg Regular W32
mens grey pinstripe ERMENEGILDO ZEGNA wool suit 38R 38 Reg Regular W32 $27.46 (15 Bids)
End Date: Wednesday Feb-8-2012 13:16:44 PST

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NWT 1395 Z ZEGNA City Solid Navy Blue Side Vent Wool Suit Slim 46 R Eu 56
NWT 1395 Z ZEGNA City Solid Navy Blue Side Vent Wool Suit Slim 46 R Eu 56 $549.00
End Date: Wednesday Feb-8-2012 13:20:10 PST
Buy It Now for only: $549.00
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NWT 2695 ERMENEGILDO ZEGNA Cool Effect Herringbone Wool Silk Suit 46 48 R
NWT 2695 ERMENEGILDO ZEGNA Cool Effect Herringbone Wool Silk Suit 46 48 R $950.00
End Date: Wednesday Feb-8-2012 14:43:42 PST
Buy It Now for only: $950.00
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Zegna Mainline Grey Charcoal Suit size EUR 54 UK 44 100 Wool RRP 1100
Zegna Mainline Grey Charcoal Suit size EUR 54 UK 44 100 Wool RRP 1100 $142.86
End Date: Wednesday Feb-8-2012 14:47:00 PST

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Zegna Mainline Navy Pinstripe Suit size EUR 54 UK 44 100 Wool RRP 1000
Zegna Mainline Navy Pinstripe Suit size EUR 54 UK 44 100 Wool RRP 1000 $142.86
End Date: Wednesday Feb-8-2012 15:08:41 PST

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